Wednesday, July 17, 2013

Once Upon A Time In Bollywood .........

My unconditional love for Bollywood had crept in pretty early
The mahaul and the place couldn't have been more apt in helping the conception , nurturing and blossoming of an everlasting Prem Granth 💞💕💓💓💓💓 !!!
I was perhaps a little under-age to indulge in a love affair back then , but age ka ishq se kya lena-dena 
So it happened ... in Khopoli ... 😊🤗💖💐💐💐

Khopoli is a small urbanised village nestled in the natural warmth of dreams and romance at the foothills of the Western Ghats

Our colony is spread in a colourful abundance on both sides of the old Bombay-Poona Road away from the hustle n bustle of Khopoli village 

 
The Company had provided for its employees spacious bungalows , a well-stocked provision store , conveyance for children going to school and employees going to the Power House and other offices of the company , a well-equipped dispensary and a recreation club 


Our evenings used to be pleasantly enjoyable as most residents would indulge and unwind playing Carrom , Cards , Tennis , Table tennis , Badminton , Billiards etc , or sink into the cozy sofas in the reading room with a book or a magazine  

Also an interesting first in my life was watching the club attendant making carbonated fresh soft drinks on orders from the members 😀


In addition every weekend , except in the rainy season , old Hindi films would be screened in the sprawling open space behind the main club building .


It was there that I actually saw films for the first time ... and fell in love with Bollywood ..... 💕💕💕 !
Bachpan ki mohabbat , unshakably sturdy , has stood the test of time thus far 😍🤗😄


"Teen Deviyan" ,  "Dil Tera Deewana" , "Navrang" , "Geet Gaya Paththaron Ne" , "Junglee" , "Beti Bete" , "Dosti" , "Hare Kaanch Ki Choodiya" , "Jaanwar" , "Maya" , "Guide" , "Do Badan" and many many more have made a permanent place in my heart ... and as I grew up this Bachpan ki Mohabbat matured into a serious Love Story 💓💓💓


In between there have been such memorable instances of "madness-in-love" like barging  into the theatre manager's office when there was a "House Full" Board outside , and managing to get special entry into the picture hall ... or watching three different films in one day ... or sitting for all of three hours in the lobby of a theatre waiting to watch "Abhimaan" ... 6 to 9 😄 !!!

And who can forget battling the crowds when "Sholay" had released .... !!!


Even after so many years the magnificence , the impact and sheer bliss of watching "Pyasaa" , "Chaudhwiin Ka chaand" , "Tere Ghar Ke Saamne" , "Madhumati" , "Door Gagan Ki Chhaaon Mein" , "Kaaghaz Ke Phool" and such others in matinee shows with friends has not faded even one bit 😊

Watching films in Ramzaan afternoons while waiting for Iftaars  is yet another sumptuous memory of my profusely overflowing Bollywood-mania .....


Now fast forward to the present.
You get everything under one roof ..... And films are also available in all the malls like any other commodity ... !
Often I just stroll into one of these places , and if there is  no "sale" going on , I find some or the other film being shown in one of the many mini theatres called Hall Number 1 , 2 , 3 etc ......... 


The era of Silver Jubilees and Golden Jubilees is past in a mellinium where pictures are judged on the basis of 100 and 200 crore collections at the box office !!!
Titles like "Shahenshaah" and "Baadshaah" of Bollywood have replaced "Jubilee Kumar" in a hitherto thriving democracy now getting excessively obsessed with the soul-less pomp and show of monarchy 


Once upon a time songs used to be a strong and beautiful part of Bollywood films , especially the qawwalis and background songs , which added to the narrative brilliantly. 
Even the so called  song-and-dance-around-trees-and-bushes had a role to play in unfolding the magical tenderness of love between the lead screen couple 
 

Fans like me who have not been initiated into Classical music , began  appreciating musical compositions as the melodious notes mingled with meaningful poetry to create tasteful and timeless songs that are sung even today and continue to delight the listeners of all ages 


Nowadays our film makers "import" technicians and technology to make films , as if it is only a cold blooded business venture where the end-product will be judged exclusively on engineering skills and profitability   
Huge amounts are spent on marketing "human emotions" displayed with crass crudity on the silver screen 


All the "creativity and innovation " that comes in film making today after attending diploma courses in colleges , workshops and training courses , is sadly reduced to just one thing :  Dukaandaaari ... !
And that too is done in an undignified and disgraceful manner most of the time.


Film makers are getting away with unpardonable filth under the guise of  "Films show what the audience want " and 
"This is the real face of our society !"

I can't believe that most of our boys and girls have such gutter-tongues and are interested only in sex and violence , and are stalkers , if not rapists ... !!!


In the formative years of Bollywood we had exemplary craftsmen who trusted their own creativity and working with meager resources created everlasting masterpieces , that are still the pride of Hindi Film Industry .


I am quoting here a friend's comment to a song posted on Sahir Ludhianvi Facebook group some time back


She says : 
"There are two technical stories from the time my grandfather worked with Pancholi Arts.
Its a matter of pride to everyone who has worked with my grandfather that he could record every dialogue and song in a way that it could be reproduced with a certain wholeness in the movie theatres of pre independence.
He could even repair any movie machine that existed between 1935 till about 1980. This included cameras and sound recording machines. At the time he was in Lahore, he built sound recording machines from scratch. One of these machines was later owned by Dev Anand and his studio. The machine he made in Lahore was built within a trunk. Lohey ka trunk. He drilled holes on it and put parts that could record dialogues and songs. There is a chance that this song that you have posted has been recorded on an in house trunk wala sound recording machine.

He also built wooden cranes to lift the camera man and camera to get aerial shots while in Lahore."


In the initial days of our Film Industry, as we all know there were obviously no star sons / daughters , no Nawaabs and their Begums , no acting schools , no gym-perfected bodies and yet they managed to create benchmark masterpieces through an incredible sense of dedication to their work and to art 

Innovation was not a soulless mechanised procedure . 
Stories may seem to have been the formula hero-heroine-villain types , but they still had some morals , some values to share
They were not precisely Moral Science lessons , yet they talked of honesty , duty , empathy , sincerity and principles and these values seeped in to the psyche of the masses as they watched their favourite stars on silver screen ... There was an over all sense of humaneness , purpose and dignity in how the story was told 


Even the "dhiishum dhiishum" fights were so enjoyable , bereft of the superficial "special effects" they came across as delightfully "filmy" 😄


Aajkal we are fed "real" stories on screen with so much artificiality , monotony and repetitiveness that nudity and lewdness are the only attractions a film boasts of now !


In a glaring irony our world talks of peace and privacy on the one hand , and on the other bedroom , bathroom , toilet is all in the open now !!! 
There is no effort to dress up a passionate personal situation in the warmth of romance ... neither is an emotionally charged situation dealt with mature serenity
Everything has to to be loud and raunchy .... only then it is deemed to be real and true !


And I'm not being cynical , nor am I over reacting when I say that
I had to watch a refreshingly therapeutic "Junglee" to get rid of the  Barfi-sickness !!!










7 comments:

Rakesh Anand Bakshi said...

Fans like me who have not been initiated into Classical music , began appreciating musical compositions as the melodious notes mingled with meaningful sophisticated poetry to create tasteful delights that have stood the test of time...

Zohra Javed said...

Posting Mohan Siroya ji's msg here which he has shared thru e mail .........

"I attempted to get the following comments published on your BLOG but failed. Hence mailing you this .I f U feel U may put on blog in my name
Regards
------------
Zoharji ,
1.Just saw this piece on your blog( U sent me link, thanks ). It was a wonderful experience and a learning too. I did not know your passion for Bollywood movies and Music.
2. Myself ,as someone who has been writing for Bollywood for almost 60 yrs., must admit that this was an ecstatic piece of nostalgia which I can not refuse to relish , agree and admire.
AS that immortal line of Kaifi Saab "Waqt ne kiya Kya Hasin Sitam, Hum Rahe na Hum , Tum rahe Na Tum " I say "Waqt Ne kiya Ye bhi ek sitam, Na Raha wo Bollywood N a Rahe Wo Log Jo Behatreen filmen banate Thhe and Mausiki ki bhi dete thhe, Aala Shayari ke saath ?". Really, Kahan gaye wo log, wo din ? Jab ki Bollywood abhi bhi hai , aur 'Commercially, not sensibly, it has grown up more than thousand times perhaps.

Mohan Siroya

Unknown said...

I m just speechless. The initial part of living in a colony provided by power company (NTPC Ltd.) almost resembles of mine. I also started my career in a fully developed town ship called shakti nagar. There was an open air theater in which on week days films were shown.However my passion for films was since my childhood which i inherited from my mother, who happened to be a theater artist. Ur words of silver jubilee, golden jubilee or even a movie completing 100 days reminds me those golden days. It was honorable things for films to achieve this feat. Now i feel very sad when all the earning is done in first 3 days and success measurement is done on the basis of 100 cr club. I have not been able to forget so many films of the past. I must say that few directors today also succeed in creating that magic. I want to write so much on this subject but falling short of words. Thanks for posting such a magical afsana of films.

rumahale said...
This comment has been removed by the author.
rumahale said...

I am really moved to read heartrending account on transition of Indian cinema. I was witness to the glorious past; and, am saddened of the present. Thank you for candid account from the core of the heart. Regards

Zohra Javed said...

Mr P P Pandey has so graciously shared his memories and love for Bollywood in a msg on Facebook .... (Wonder why a lot of people are not able to post comments here)

You have very beautifully narrated what we have lost and what I think irrecoverable in the area of films/music and social life.

Perhaps I also belong to your category. In 1988, I was in Indian Railways and posted near Saugor (Madhya Pradesh). At that time I used to do 12 hours night duty as an Assistant Station Master (from 8 pm to 8 am). Even after keeping awake all through the night, I used to go to Saugor ofter to watch movies, which was 25 kms aways from the place of my posting.

I would like to know the names of those three movies which you saw in a single day. I have seen two movies in a day, (and once the consecutive shows too). My maternal aunt (mausi) also used to watch multiple shows in a single day. I learnt this from her only.

Today the films fail to make any jubilee because all films are released with multiple prints in a city. Sometimes around 50 prints are released in a city of a single movie. Thousands of prints of a film are released in today's time. So any jubilee has become out of question in today's time.

And it is most painful to read and feel about music of today. We are losing on that front because we have lost the simplicity of songs. This I have discussed in other fora too. As the songs have lost simplicity, we have lost the songs and the music in totality. We cannot hum the songs of today, unlike yesteryears. If we cannot hum the songs during our routine life, we cannot own those. If we cannot own the songs, how can those songs have shelf life. The songs are listened and forgotten soon. The most popular songs run for 5-6 weeks. We can sing whole song of upto the period of 70s and 80s. That's why those songs are still liked. We cannot dare hum the songs of today. That started with era of Kumar Shanu who made the songs too technical to sing. The last natural singers in the industry were of the time of Udit Narayan / Alka / Kavita. After that music is almost no more.

I failed to post it there.

smriti said...

well said zohra....am quite impressed by ur way of writing...could feel as if personally experienced all this...